Piano notes for 'LUNCH' by Billie Eilish
Chorus
I could eat that girl for lunch
D E F# E E D E B
Yeah, she dances on my tongue
D E F# E E D E B
Tastes like she might be the one
D E F# E E D E B
And I could never get enough
D D E F# E E D E B
I could buy her so much stuff
D E F# E E D E B
It's a craving, not a crush, huh
D E F# E E D E B
Verse 1
"Call me when you're there"
F E E D E B
Said, "I bought you somethin' rare
D E F# E E D E B
And I left it under 'Claire'"
D E F# E E D E B
So now, she's comin' up the stairs
D D E F# E E D E B
So I'm pullin' up a chair
D E F# E D E B
And I'm puttin' up my hair
D E F# E E D E B
Verse 2
Baby, I think you were made for me
B B A B B A B B B
Somebody write down the recipe
B B A B B A B B B
Been tryin' hard not to overeat
B B A B B A B B B
You're just so sweet
B F# F# G
Pre-Chorus
I'll run a shower for you like you want
A A A A F# F# F# A B F# E
Clothеs on the counter for you, try 'em on
A A A A F# F# F# A B F# E
If I'm allowеd, I'll help you take 'em off
A A F# A F# F# F# F# A BEDEF#EDBAB
Chorus
I could eat that girl for lunch
D E F# E E D E B
Yeah, she dances on my tongue
D E F# E E D E B
Tastes like she might be the one
D E F# E E D E B
And I could never get enough
D D E F# E E D E B
I could buy her so much stuff
D E F# E E D E B
It's a craving, not a crush, huh
D E F# E E D E B
Post-Chorus
Oh, I just wanna get her off
DED B B B F# F# E F#
Verse 3
Oh, my God, her skin's so clear
D E F# E E D E B
Tell her, "Bring that over here"
D E F# E E D E B
D D E F# E E D E B
Now she's smilin' ear to ear
D E F# E E D E B
D E F# E E D E B
Pre-Chorus (SPOKEN)
I've said it all before, but I'll say it again
A A A A A A A A A A A A
I'm interested in more than just bein' your friend
A A A A A A A A A A A A
I don't wanna break it, just want it to bend
A A A A A A A A A A A A
Do you know how to bend?
A A A A A A
Outro
I could eat that girl for lunch
D E F# E E D E B
She dances on my tongue
D F# E E D D B
I know it's just a hunch
D F# E E D E B
But she might be the one
D F# E E D E B
I could eat that girl for lunch
D E F# E E D E B
Yeah, she tastes like she might be the one
D E D E F# E E D E B
I could, I could Eat that girl for lunch
D E D E F# E E D E B
Yeah, she, Yeah, she
D E D E
Tastes like she might be the one
D E F# E E D E B
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ReplyDeleteThat’s such an interesting take on Billie’s evolution. It feels like she’s finally leaning into this raw, playful confidence that was only bubbling under the surface in her earlier work. The production on "LUNCH" is so tight, but it still maintains that signature "bedroom" intimacy she and Finneas are known for.
ReplyDeleteI noticed some people in the production forums were even discussing the technical side of managing high-res audio files for tracks like this; it's funny how even simple-sounding pop songs require such heavy lifting behind the scenes. If you’re ever managing your own media library or trying to move high-quality tracks between devices, using something like 3utoolsios can be a real lifesaver for keeping everything organized and synced.
That’s a really interesting take on the evolution of Billie’s sound. I’ve noticed how her production style has shifted from those really tight, whispered vocals to something that feels much more expansive and intentional with every new release. It’s almost like she’s becoming more comfortable filling up the entire sonic space rather than just living in the silence.
ReplyDeleteI was actually reading through a forum earlier where someone mentioned using Fluxus Executor for PC to customize their audio environments while listening to high-fidelity tracks like this, which is a cool way to look at how tech influences our listening habits. It really makes you appreciate the layered engineering she puts into her music.